片名：不安
关键词：不安免费在线观看
电影类别:剧情片
发行年份：1954
首映地区：其它
导演：罗伯托·罗西里尼
演员：英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
更新时间：2025-05-22 06:50
《不安》是根据一个真实故事改编的，那《不安》故事的大致内容是怎样的?？
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
《不安》评价怎么样？
《不安》作为一部广受欢迎的电影，其作品也备受关注。然而，粉丝对于这部剧情片的评价却褒贬不一。以下是对《不安》这部剧情片的综合影评： 优点：由英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特主演，英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特的高颜值和一定的演技为《不安》增色不少，其气质和精准的动作戏赢得了不少粉丝的喜爱，《不安》在剧情还原度和演员表演上有所提升。 缺点：虽然英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特表现出色，但导演罗伯托·罗西里尼剧情改编上存在一定争议，《不安》部分情节过于拖沓，特效制作也略显粗糙，未能完全还原原著中的精彩场景,尽管有进步，但导演罗伯托·罗西里尼整体制作水平仍与观众期待有一定差距，特效和场景设计仍有提升空间。 《不安》总体评价 《不安》电影在演员选择、特效制作等方面都有一定的亮点，但也存在不少问题。导演罗伯托·罗西里尼从剧情改编到场景设计，再到整体制作水平，都有待进一步提高。对于《不安》粉丝来说，这部剧情片往往难以完全满足他们的期待；而对于普通观众来说，则需要根据自己的喜好来选择是否观看。
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