片名：不安分的年轻人们
关键词：不安分的年轻人们免费在线观看
电影类别:剧情片
发行年份：1958
首映地区：法国
导演：马塞尔·卡尔内
演员：帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
更新时间：2025-06-23 07:38
《不安分的年轻人们》是根据一个真实故事改编的，那《不安分的年轻人们》故事的大致内容是怎样的?？
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as Fran?ois Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma fran?ais in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
《不安分的年轻人们》评价怎么样？
《不安分的年轻人们》作为一部广受欢迎的电影，其作品也备受关注。然而，粉丝对于这部剧情片的评价却褒贬不一。以下是对《不安分的年轻人们》这部剧情片的综合影评： 优点：由帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔主演，帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔的高颜值和一定的演技为《不安分的年轻人们》增色不少，其气质和精准的动作戏赢得了不少粉丝的喜爱，《不安分的年轻人们》在剧情还原度和演员表演上有所提升。 缺点：虽然帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔表现出色，但导演马塞尔·卡尔内剧情改编上存在一定争议，《不安分的年轻人们》部分情节过于拖沓，特效制作也略显粗糙，未能完全还原原著中的精彩场景,尽管有进步，但导演马塞尔·卡尔内整体制作水平仍与观众期待有一定差距，特效和场景设计仍有提升空间。 《不安分的年轻人们》总体评价 《不安分的年轻人们》电影在演员选择、特效制作等方面都有一定的亮点，但也存在不少问题。导演马塞尔·卡尔内从剧情改编到场景设计，再到整体制作水平，都有待进一步提高。对于《不安分的年轻人们》粉丝来说，这部剧情片往往难以完全满足他们的期待；而对于普通观众来说，则需要根据自己的喜好来选择是否观看。
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